http://www.time.com/time/magazine/article/0,9171,1990803-1,00.html
This not-to-miss article from Time on the reality of the VFX industry is a real eye-opener. If I can't find work in London in VFX, I'll just have to move to the West Coast of the States and start at $50k. I bet there are a lot of people who've met me asking themselves why would this American chick want an FX job here? The answer: the USA outsources, too. Salaries are likely comparable with the £ at 1.8% average since the introduction of the Euro and the coinciding recession that followed in the wake of the financial instability that ensued. I'm only interested in working on films, no television or commercials. No games. Just films. I heard at Animex this year that if I did games or television, I would not have the required direction for VFX in film, which is highly specialized. Taking that as a maxim, I'm moving forward with solely film in mind for my career. Entry level salary in the States can't be as good as Time would like me to believe. America is a country that starts you at the lowest common denominator salary and you will have to work 5 years if you want 2 weeks off. However, given the nature of VFX projects moving in cycles...you'll likely have to save it all to survive the lulls and low points when the less experienced aren't needed. It really does pay to freelance these days. I'm learning all about it now while I have the time. I'm planning to freelance between paid film projects in the future. I have to try and be competitive somehow and this is a very competitive industry.
Getting specific on Jobs.
-
At the moment inside fxphd’s Background Fundamentals here at fxphd, we are
focusing on Jobs. We have already started and we are continue to talk to a
huge ...
1 week ago